The world-renowned solo percussionist, Evelyn Glennie who, having been profoundly deaf from the age of 12, has so much to share on what she believes real, all-encompassing listening means. She feels that performance can’t be separated from life in general and has some fascinating insights about what that means for her. She speaks so articulately about everything to do with performance.

To this day, Evelyn continues to invest in realising her vision – to Teach the World to Listen – while looking to open a centre that embodies her mission: “to improve communication and social cohesion by encouraging everyone to discover new ways of listening. We want to inspire, to create, to engage and to empower”.

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“My first experience with percussion was seeing and being inspired by my school orchestra at the age of 12. I knew I needed something else to go alongside my piano playing, which was my main instrument at the time. It was an inexplicable feeling but as soon as I saw the percussion section I knew this was the family I belonged to”.

Evelyn Glennie is the first person in history to successfully create and sustain a full-time career as a solo percussionist, performing worldwide with the greatest conductors, orchestras, and artists. She fondly recalls having played the first percussion concerto in the history of The Proms at the Albert Hall in 1992, which paved the way for orchestras around the world to feature percussion concerti. She had the honour of a leading role in the Opening Ceremony of the London 2012 Olympic Games. “Playing at an event like that was proof that music really affects all of us, connecting us in ways that the spoken word cannot”.

Evelyn’s solo recordings, which now exceed 30 CDs, are as diverse as her career on-stage. ‘Shadow Behind the Iron Sun’ and ‘Sound Spirits’ continue to be bestselling albums that amply demonstrate her brilliant improvisational skills.

A leading commissioner of new works for solo percussion, Evelyn has more than 170 pieces to her name from many of the world’s most eminent composers. She believes this has been crucial to her success as a solo percussionist. “It’s important that I continue to commission and collaborate with a diverse range of composers whilst recognising the young talent coming through”. A triple GRAMMY award winner and BAFTA nominee Evelyn is in demand as a composer in her own right and records high quality music for film, television and music library companies. The film ‘Touch the Sound’ and her enlightening TED speech remain key testimonies to her approach to sound-creation.

With over 80 international awards to date, including the Polar Music Prize, Evelyn continues to inspire and motivate people from all walks of life. Her masterclasses and consultations are designed to guide the next generation.

To this day, Evelyn continues to invest in realising her vision – to Teach the World to Listen – while looking to open a centre that embodies her mission: “to improve communication and social cohesion by encouraging everyone to discover new ways of listening. We want to inspire, to create, to engage and to empower”.